![]() It is these areas that all schools within the Trust will be adapting their approaches with immediate effect, they are:īirthdays - many children bring in sweets, chocolate, cakes and other food types to celebrate their birthdays with their classmates. ![]() There are, however, other areas where the ability to manage risk and ensure that children do not come into contact with food types they are allergic to is more challenging. ![]() This is a system that we have had in place for a number of years and it ensures that we keep the level of risk to a minimum. In order to support this process, children with mild and severe allergies are identified and known to the kitchen staff when ordering a school meal. Schools within the Trust currently place a significant emphasis on effectively managing potential food allergy issues at lunch times with kitchen staff and lunchtime supervisors across the Trust trained in how to ensure there is no cross contamination of food. In order to minimise the potential impact of a child developing anaphylaxis, all schools have a supply of Epi-Pens and staff are fully trained annually on their use. Anaphylaxis is a severe allergic reaction which requires immediate medical attention and, if not treated quickly, can in some tragic cases lead to a fatality. In many cases children who have food allergies suffer mild symptoms if they come into contact with certain food types and yet we are also seeing a growing number of children within the Trust who have severe food allergies which, if the child comes into contact with a specific food type, can lead to a severe allergic reaction known as anaphylaxis. I write to you today to outline a change in how all Trust schools will be approaching how they manage risk regarding allergies within their settings.Īfter reviewing the Trust approach to how we manage food allergies in our schools, we have identified a number of areas where we believe we can refine how we operate in order to minimise risk. ![]() I hope this letter finds you well and that over the Christmas break you were able to benefit from some family time. ![]()
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![]() In a heart-stopping moment, an unseen force assaults Mike, causing him to lose his grip on his camera. Driven by a desperate need to locate Josh, they navigate their way into the basement, where an invisible malevolence awaits. Their relentless pursuit leads them to the desolate remnants of Rustin Parr’s infamous house-a place tainted by demonic symbols and haunting children’s bloody handprints etched upon its walls. Josh’s anguished screams pierce through the darkness, compelling Heather and Mike to follow the haunting cries. Night falls once again, casting an ominous shadow over their already dire circumstances. The film’s promotional campaign capitalized on its found footage style, listing the actors as either “missing” or “deceased.” Following its positive reception at Sundance, Artisan Entertainment acquired the distribution rights for $1.1 million. “The Blair Witch Project” premiered at the Sundance Film Festival on January 23, 1999, in a midnight screening. Despite an original budget of $35,000–60,000, the film’s post-production edits resulted in a final cost of $200,000–750,000. ![]() Approximately 20 hours of footage were captured and later edited down to an 82-minute final cut. Production began in October 1997, with the main photography conducted in Maryland over eight days. ![]() Through a casting call advertisement in Backstage magazine, Donahue, Williams, and Leonard were selected for the film’s roles. They created a 35-page screenplay with improvised dialogue. The concept of the Blair Witch legend was initially developed by Myrick and Sánchez in 1993. The film that the viewers watch is presented as the recovered “found footage” of their ill-fated expedition. However, the three filmmakers mysteriously vanish, leaving only their equipment and footage behind. In 1994, they embark on a documentary project to explore the local legend of the Blair Witch in the Black Hills near Burkittsville, Maryland. The movie follows the fictional story of three student filmmakers named Heather Donahue, Michael C. “The Blair Witch Project” is a supernatural horror film directed, written, and edited by Daniel Myrick and Eduardo Sánchez. While the film’s marketing campaign cleverly blurred the lines between fiction and reality, creating a mock documentary-style backstory and presenting the footage as authentic, it is important to note that the Blair Witch Project is not based on real events. The film’s success lies in its ability to suspend disbelief and instill a genuine sense of fear and unease in its audience, making it a groundbreaking and influential entry in the found footage horror genre. The story revolves around a group of filmmakers who venture into the Black Hills Forest to investigate the legend of the Blair Witch. The Blair Witch Project is a fictional film presented in a found footage style, designed to create a sense of realism and immersion for viewers. ![]() The film ends, leaving their ultimate fates shrouded in the enigmatic depths of the haunted forest, and the mystery of the Blair Witch forever unresolved. In a final harrowing moment, the malevolent force turned its attention to Heather, assaulting her relentlessly until she too relinquished her camera, its lens capturing nothing but darkness.Īnd thus, their fate was sealed, their horrifying encounter with the Blair Witch culminating in an abyss of uncertainty and darkness. But Mike remained unresponsive, trapped in the clutches of an unknown entity. Fear consumed Heather as she bravely descended into the basement, her own camera capturing the disturbing sight of Mike standing motionless in a corner, his face turned away from her.ĭesperation and terror mingled in Heather’s voice as she called out to him, pleading for any sign of recognition. In the depths of that foreboding space, an unseen force viciously assaulted Mike, causing him to lose his grip on his camera. Pressing forward in their quest to locate Josh, they ventured into the basement, their nerves frayed and senses heightened. The walls bore sinister symbols, while children’s bloody handprints served as a grim testament to the house’s dark past. Driven by a blend of dread and determination, Heather and Mike followed the chilling sounds, which ultimately led them to a dilapidated house-an eerie relic haunted by the malevolent legacy of Rustin Parr. The following night, as darkness once again enshrouded the forest, the relentless cries of their missing friend echoed through the air. ![]() ![]() ![]() If you’re looking for the best online casinos, look here.ġWIN New site for betting and live casinos in India: Ĭheck the ultimate guide to online casinos usa sites with welcome bonus Alle casinoer er lisensiert av Curacao eller Malta Gaming Authority. Here you will find the best rated casino online and a list of excellent gambling games!ĭu finner de beste norske nettcasinoene hos. 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The cryptocurrency revolution is upon us and there are many bitcoin casinos you can check out and play with ease in 2022įinn Trygga & Säkra Casinon Utan Svensk Licens med bra Bonus hos SCUL. ![]() ![]() ![]() Self-control over the passions, considering it the image of a hero of spirituality, ready to sacrifice his individual affective life to defend the fate of the Jewish people. A 19th-century psychological interpretation of his mien paved the roadįor Sigmund Freud who, in his essay Der Moses des Michelangelo analyzed the artist's rendering of the Bible character in terms of an exceptional and rational power of His frown and heedful expression have been justified as his reaction to seeing the Jewish people make offerings to the bronze serpent. It was viewed in light of Savonarolian thought as an allegory for the papacy, as a self-portrait or projection of Michelangelo, as a cosmic being comprising Of the most varied and not necessarily warranted interpretations. Since the 19th century, there has been a series of critical comments on the statue that have interpreted its features (moreover, already interpreted in two very different ways by the two biographers of his time!) in light Situated behind the Moses are two relief slabs of unequal quality - now visible only in photographs - that represent two giants holding up a coat Superhuman light that emanated from Moses when he came down from Mount Sinai. Photo of the Tomb of Pope Julius II by Michelangeloįrom the top of his head, amidst the deep volutes of curly locks, two horns emerge from a striated surface, an allusion to the two beams of Time holding still up against his side the two tablets of the Ten Commandments. Both hands are occupied with the flowing, wavy ropes of Moses' long beard: the left hand grabs at the ends of the curls, the right moves the central mass over as if caught in it, at the same On the ground, while his left foot is retracted and precariously balanced on the edge of the sculpture plinth the pose is unstable perhaps to suggest that the figure is about to rise. Moses is seated, clad in a tunic, leggings and sandals alluding to biblical antiquity, and his legs are wrapped in a heavy cloak that cascades down to fill the space between his knees. The back of the head and the seat, are rough. Most of the work was carved to a finished state, although some of the less visible parts, such as the neck, It became the fulcrum of the monument to Julius II, a rather reduced version as compared to the original project. The truth of the matter is that the statue remained in the room in Via Macel de' Corvi for almost thirty years, until it was installed in the church between 15, where Hard this summer to finish this work quickly". ![]() It is believed that Michelangelo was alluding to this very same statue when he wrote, on 16 June 1515, "I have to work very ![]() Twice life-sized, the Moses is a unique masterpiece of Renaissance statuary and art in general. His final position was, however, in the central arch of the wall monument in San Pietro in Vincoli,Īssuming an unplanned hegemonic role and - to his disadvantage - situated lower down, where the sculptor's efforts to balance out the proportions through perspective foreshortening are lost.ĭrawing for the Tomb of Pope Julius II by Michelangelo He was also to have occupied a high niche position in the 1513 project. He was to occupy one of the corners of the upper story. ![]() The figure of the biblical Lawmaker, which had been a part of the overall project since 1505, has survived in a copy of a drawing now in Berlin, and like the Saint Paul, Active Life and Contemplative Life Conceived for the second tier of the tomb, the statue was meant to be seen from below and not as it is displayed today at eye-level. Elder brother to the Sistine Prophets, the Moses is also an image of Michelangelo's own aspirations, a figure in de Tolnay's words, "trembling with indignation, having mastered theĮxplosion of his wrath". It was intended for one of the six colossal figures that crowned the The statue of Moses is the summary of the entire monument, planned but never fully realized as the tomb of Julius II. ![]() ![]() ![]() We believe that additional insights about cognitive factors and behavioral patterns driving the emergence of polarized environments are crucial to understand and develop strategies to mitigate the spreading of online misinformation. A recent study pointed out the inefficacy of debunking and the concrete risk of a backfire effect from the usual and most committed consumers of conspiracy-like narratives. those supporting anti-vaccines claims, climate change denials, and alternative medicine myths-keep proliferating in polarized communities emerging on online environments, leading to a climate of disengagement from mainstream society and recommended practices. ![]() In spite of different debunking strategies, unsubstantiated rumors-e.g. Moreover, the spreading of misinformation on online social media has become a widespread phenomenon to an extent that the World Economic Forum listed massive digital misinformation as one of the main threats for the modern society. Indeed, conspiracy-like pages disseminate myth narratives and controversial information, usually lacking supporting evidence and most often contradictory of the official news. We limit our analysis to Science and Conspiracy for two main reasons: a) scientific news and conspiracy-like news are two very distinct and conflicting narratives b) scientific pages share the main mission to diffuse scientific knowledge and rational thinking, while the alternative ones resort to unsubstantiated rumors. We then compare the users interaction with these videos on both platforms. We focus on Facebook posts linking Youtube videos reported on Science and Conspiracy pages. To shade light on the role of algorithms for content promotion in the emergence of echo chambers, we analyze the users behavior exposed to the same contents on different platforms-i.e. Recent studies suggest confirmation bias as one of the driving forces of content selection, which eventually leads to the emergence of polarized communities where users acquire confirmatory information and ignore dissenting content. ![]() Not much is known about the role of cognitive factors in driving users to aggregate in echo chambers supporting their preferred narrative. Conversely, YouTube promotes videos through Watch Time, which prioritizes videos that lead to a longer overall viewing session over those that receive more clicks. photo, video, status update-can also make a post more likely to appear. Facebook promotes posts according to the News Feed algorithm, that helps users to see more stories from friends they interact with the most, and the number of comments and likes a post receives and what kind of story it is-e.g. Indeed, little is known about the factors affecting the algorithms’ outcomes. The role of these algorithms in influencing the emergence of echo chambers is still a matter of debate. they show users viewpoints that they already agree with. However, on online social media, different algorithms foster personalized contents according to user tastes-i.e. Ĭonfirmation bias has been shown to play a pivotal role in the diffusion of rumors online. The emergence of polarization in online environments might reduce viewpoint heterogeneity, which has long been viewed as an important component of democratic societies. Polarized communities emerge around diverse and heteorgeneous narratives often reflecting extreme disagreement with respect to the main stream news and recommended practices. Such a disintermediation elicits the tendencies of the users to a) select information adhering to their system of beliefs-i.e., confirmation bias-and b) to form groups of like minded people where they polarize their view-i.e. We passed from a mediated (e.g., by journalists) to a more disintermediated selection process. The diffusion of social media caused a shift of paradigm in the creation and consumption of information. The funders had no role in study design, data collection and analysis, decision to publish, or preparation of the manuscript.Ĭompeting interests: The authors have declared that no competing interests exist. The collection methods are relayed in the Data Collection section.įunding: Funding for this work was provided by EU FET project MULTIPLEX nr. This is an open access article distributed under the terms of the Creative Commons Attribution License, which permits unrestricted use, distribution, and reproduction in any medium, provided the original author and source are credited.ĭata Availability: The entire data collection process has been carried out exclusively through the Facebook Graph API and the YouTube Data API. Received: ApAccepted: JPublished: August 23, 2016Ĭopyright: © 2016 Bessi et al. (2016) Users Polarization on Facebook and Youtube. Citation: Bessi A, Zollo F, Del Vicario M, Puliga M, Scala A, Caldarelli G, et al. ![]() ![]() Owned by Warren Buffett's Berkshire Hathaway (BRKa.N) since 1998, the fast-food chain counts China as its second-largest market, operating more than 1,250 stores there out of more than 7,000 worldwide. Please contact the independent franchise operator for immediate and personal assistance.May 11 (Reuters) - Berkshire Hathaway-owned Dairy Queen is exploring options to expand in new markets, perhaps including Taiwan, the company's CEO said, even as geopolitical concerns with China simmer. Thank you for sharing your feedback, we’re sorry to hear you have been disappointed in the service at one of our locations. The entire time they ALL looked like they were thoroughly annoyed at just the thought of being alive…how about being thankful you have a job and smiling at your customers just a bit! Oh, and let’s not forget that there were NO apologies on their side (even from who I think might have been the manager? If she was, no wonder her employees are lacking enthusiasm - she was moving slower than the rest of them. During all of this and 45 mins later I’m still waiting for all of our food and have watched no less than 10 other orders for other customers go out. Upon presenting my app receipt they had to manually write my order down down and they got it WRONG 3 times. Then standing there blankly staring at them because there is no sign of actual food coming out or cups for our drinks, they inform me they only got an order for the desserts. Asked if we could have our blizzards last and after telling me, yes, continued to make them. Placed an order online for 7 people (over $60) and was the first set of customers to walk in the door. That, however, does not give permission to those working to work slower than sloths! Literally they were VERY slowly walking around bumping into each other like they were completely lost. We can't replicate this issue - could you reach out to us through our contact us from on DQ.com with you more information, so we can try to make it right? Thank you!įirst off, I understand employee shortage. So I think it just needs some performance & bug fixes somewhere. ![]() So I did, but now it’s permanently loading on the login screen and won’t put me through to the app. I actually just deleted the app and re-installed it to try and get that to work, and it asked me to login. And then even after killing it and opening it back up, it still doesn’t load to actually use the app - it just stays frozen on the blue loading screen. The app creators cannot fix your 20 minute wait or some poor customer service - SMH □Īnyway, with the APP itself, I’ve noticed that when I click on a notification (like a new deal is available that week, for example) and it directs me to the app, the app freezes on the blue loading screen and never pulls up the rest of the app to use and you have to kill it. Add your review to that specific DQ’s location on Google reviews, not the freaking App Store. That is NOT the app’s fault! □ That’s your specific store location’s issue. 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You’re in for a treat.Ĭheck out what's new or easily find your faves before starting an order. ![]() ![]() ![]() But if the question is whether this can be considered CI/CD, we can proceed on the lowest common denominator / bare minimum of popular/accepted definitions and apply those definitions liberally as they relate to the principles of CI/CD. We'll need some definitions for CI and CD (see above link), which may vary by opinion. Easy enough: if your (automated) process is practicing both CI (continuous integration) and CD (continuous deployment), then we can consider the solution as being some form of "CI/CD". Beforehand, let's establish what can be considered "CI/CD". Continuous Deploymentįor example, if I make a simple tool that automatically builds and deploys, but test step is manual - can this be considered CI/CD? For additional context, see: Continuous Integration vs. For the sake of this question, we'll accept the two terms as relatively interchangeable - but be aware that others may apply a more narrow definition, which may be slightly different depending on which "D" you mean, specifically. There's a minor point of minutia that should be mentioned first: the "D" in "CI/CD" can either mean "Delivery" or "Deployment". So let's get our hands dirty and create a ArgoCD AppProject using the argocd CLI called apps2deploy: role token:ġ.) Use argocd CLI to create AppProject, role & permissions incl. There are 2 solutions how to configure the AppProject, role & permissions incl. For example, a CI system may only be able to sync a single app (but not change its source or destination). ![]() These can be used to give a CI pipeline a restricted set of permissions. Projects include a feature called roles that enable automated access to a project's applications. ArgoCD projects have the ability to define Project roles: And with such a AppProject you don't even need to create a user like tekton in the ConfigMap argocd-cm. Specified by fault field of the argocd-rbac-cm ConfigMap.īut these additional RBAC rules could be setup the simplest using ArgoCD Projects. RBAC rules set up, otherwise they will fall back to the default policy When you create local users, each of those users will need additional The problem is mentioned in Argo's useraccounts docs: Or perhaps the article is suggesting the repo is dedicated only to Terraform. These don't require provisioning new infrastructure, as the code is just placed onto existing infrastructure. For example, this article says "anytime there is a push to the src directory it will kick off the action which will have Terraform deploy the changes made to your website."īut doesn't this only make sense if the change you are making is related to provisioning infrastructure? Why would you want any code push to trigger a Terraform job if most pushes to the codecase have nothing to do with provisioning new infrastrucutre? Aren't most code pushes things like changing some CSS on the website, or adding a function to a back-end node script. It makes sense that anytime one wants to provision something different in their infrastructure that a CI/CD pipeline would add visibility and repeatability to an otherwise manual process.īut some article make it sound as though Terraform is doing the deploying of any change. You see a lot of articles on combining GitHub actions with Terraform. You should have received a copy of the GNU General Public License along with this program. See the GNU General Public License for more details. This program is distributed in the hope that it will be useful, but WITHOUT ANY WARRANTY without even the implied warranty of MERCHANTABILITY or FITNESS FOR A PARTICULAR PURPOSE. This program is free software: you can redistribute it and/or modify it under the terms of the GNU General Public License as published by the Free Software Foundation, either version 3 of the License, or (at your option) any later version. To view the source codes or build your own apk, please refer to: To setup your own server, please refer to: Ģ. Visit our project site for more details: ġ. ![]() Open source implementions in python, node.js, golang, C#, and pure C. ![]() Avaliable on multiple platforms, including PC, MAC, Mobile (Android and iOS) and Routers (OpenWRT).Ĥ. Low resource comsumption, suitable for low end boxes and embedded devices.ģ. Bleeding edge techniques with Asynchronous I/O and Event-driven programming.Ģ. *NOTE: You may need to unisntall and reinstall the app, after upgrading to 3.x or above.*ġ. It will help you surf the internet privately and securely. Shadowsocks is a high-performance cross-platform secured socks5 proxy. ![]() ![]() Conclusion: In addition to increased vocal intensity following LSVT, speakers with PD exhibited both improved harmonic structure and voice quality as reflected by cepstral/spectral analysis, indicating that there was improved harmonic structure and reduced dysphonia following treatment. Vocal tremor is considered a neurogenic voice disorder and is described as having a nearly rhythmic alteration, or modulation, in pitch and loudness. ![]() Correlation analyses demonstrated that CPP was more strongly associated with CSID before treatment than after. After restricting the frequency cutoff to the region just above the first formant and second formant and below the third formant, L/H SR was observed to decrease significantly following treatment. Increased CPP indicates increased dominance of harmonics in the spectrum following LSVT. Results: CPP and CPP SD increased significantly and CSID decreased significantly from pre- to post-treatment recordings, with strong effect sizes. Sustained vowels were analyzed for cepstral peak prominence (CPP), CPP standard deviation (CPP SD), low/high spectral ratio (L/H SR), and Cepstral/Spectral Index of Dysphonia (CSID) using the KAYPENTAX computer software. ![]() Methodology: Nine speakers with PD were examined in a pre-/post-treatment design, with multiple daily audio recordings before and after treatment. Purpose: This article examines cepstral/spectral analyses of sustained /α/ vowels produced by speakers with hypokinetic dysarthria secondary to idiopathic Parkinson’s disease (PD) before and after Lee Silverman Voice Treatment (LSVT®LOUD) and the relationship of these measures with overall voice intensity. ![]() ![]() ![]() PirateTraps by popsch (2006 or earlier: see under other OXPs) - no license.Pirate Player.oxp by Phkb (2018) - one of his many experimental OXPs.Penalize Death.oxp Making death hurt (2012).Mining OXP by DocWild (2010) - mining in space ( Download).LaveInitialShipyard.oxz by Phkb (2020) - ensures that there will always be an Adder & a Cobra MkI on sale in the Lave shipyard.Hermitage (Phkb, 2019) gives you the opportunity to own and manage your own Rock Hermit.Gas Giant Skimming: (Requirement: Ore Processor OXP by Eric Walch) Allows players to skim fuel, and possibly other commodities, from gas giant-type planets.GalCop Rewards - Phantorgorth's lottery reward system to cut down on minor misdemeanours (2012).FarPlanets by Norby (2014) Your new pursuit is to deliver contracts to far planets, very far from the witchpoint.(WIP) Corporate Trading Outpost OXP (Pleb, 2012) - buy your own station.Astronaut - put on a spacesuit, jump out of the orbital and see where you end up (hint: needs Planetfall)!.Naval Academies - Dr Beeb's 2009 tweak on User:Thargoid's civilian Lave Academy - 8 lore-ridden academies in each galaxy.These may be needed if you are playing older versions of Oolite (the oldest do not recognise the contents of the Managed AddOns folder). For older lists (almost entirely of older versions of the oxp's listed above) see the bottom of this page. The Expansion Manager OXZ list also overlaps with the updated versions of the OXP List. This list overlaps with the more obscure elements of the OXP list. The majority of changes since v.1.82 have focused on major improvements in graphics, not radical changes to gameplay.Įg multiple lasers & mobile cameras were introduced with v.1.84, v.1.86 allowed better HUDs, v.1.88 had better fleeing AI, v.1.90 has more sophistication for weaponry & commerce.Scenarios introduced (alas, nobody writes one!) 2015 v.1.82: New trading/commodities scripting deprecates older markets, but allows more tweaking.2014 v.1.80: Major Rejig: First "modern" version: OXZ's & Expansions Manager, better AI for NPCs (tougher pirates!), many changes to core game ( eg MFD's introduced).Now well over 250 OXPs including the Tionisla Orbital Graveyard (TOGY). 2011 v.1.76: First stable version since 2006 ( Monkeyspider Javascript engine integrated for better OXPs).2006 Linux & Windows versions come out in 2006 with the first stable release ( v.1.65).Ships, HUDs, missions, sounds, systems (Lave, Diso) etc all increasingly scriptable. 2004 First versions of Oolite come out.5.1 Not oxp's (mostly game code variations).3.9.2 Ships retextures: Individual ships. ![]() ![]() TikTok video from bigbigspoon "Balloon Pop Arcade Game#Balloon #Pop #Arcade #Game #PopItForGold #EpicFail #TikTokFail #Unexpected #ArcadeGame #GameNight #TikTokGames #Throwback #GameChanger #BalloonChallenge #ArcadeLife #BalloonMagic #CanYouPopIt #ViralRevisit #Unpoppable #PopItForGold #bigbigspoon #TrendingNow #ViralContent #GamePlay #BalloonFun #FailArmy #TikTokChallenge #TikTokFamous #DidYouSeeThis #CrazyGames #TikTokMagic #TikTokMystery #ArcadeLovers #GameOfChance #PopTheBalloon #TikTokSurprise #CanYouBeatThis #IncredibleFail #MostWatched #GameFail #TryAgain". ![]() No download or installation needed to play this game. 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